


I’ve been hearing many people ask recently what is the difference between the Beatles mono and stereo LP’s? Is one better? To answer that question I referred to one of the Beatles biggest expert and fanatic my friend Andy G., here’s what he had to say....
“Neither is better, they’re just different. The thing is that unlike most bands, the Beatles didn't just use mix downs of the stereo versions for the mono releases, George Martin made completely different mixes. So the mono isn't just "like adding the two sides of the stereo together", some of them have different instrumentation, different speeds, different takes of the song even. For example on "With the Beatles", "Money" has a different intro in mono, and parts of the mono are from take 6 while the stereo is all take 7.
Some albums (or songs even) I prefer the mono version, some the stereo. There's no real "better" overall though. The mono and stereo versions of "With The Beatles" were actually originally released (in the UK) on the same day, the mono wasn't first.”
I’m happy that the Beatles are getting the remastered treatment, they deserve it, it sounds great and the photos and liner notes are superb, my only is gripe is that over the years I’ve collected many of the Beatles CD’s which were originally released in 1988. I don’t suppose that Capitol/ EMI Records would create an exchange policy? I guess not.
It is still fun to know that in this day of digital download and throw away electronics that buying and listening to an album originally released in 1963 can still be exciting.
With The Beatles
Side A
It Won't Be Long Lennon/McCartney
All I've Got To Do Lennon/McCartney
All My Loving Lennon/McCartney
Don't Bother Me Harrison
Little Child Lennon/McCartney
Till There Was You Wilson
Please Mr. Postman Holland
Side B
Roll Over Beethoven Berry
Hold Me Tight Lennon/McCartney
You Really Got A Hold On Me W. Robinson
I Wanna Be Your Man Lennon/McCartney
Devil In Her Heart Drapkin
Not A Second Time Wilson
Money Berry/Gordy/Bradford
Meet The Beatles
Side A (LP)
I Want To Hold Your Hand Lennon/McCartney
I Saw Her Standing There Lennon/McCartney
This Boy Lennon/McCartney
It Won't Be Long Lennon/McCartney
All I've Got To Do Lennon/McCartney
All My Loving Lennon/McCartney
Side B (LP)
Don't Bother Me Harrison
Little Child Lennon/McCartney
Till There Was You Wilson
Hold Me Tight Lennon/McCartney
I Wanna Be Your Man Lennon/McCartney
Not A Second Time Wilson
On reread of my quote, I'm realizing that my wording may have been a bit misleading from a technical point of view. Most bands in the 60s did in fact do *separate* mixing of the mono and stereo versions of their albums. What I meant to say is that in the final results, the mono versions were generally identical to being just as if they were mixed down versions of the stereo mixes.
ReplyDeleteThere was a definite elitism about stereo in the 60s, because many artists considered stereo to be a "fad" or a gimmick, and felt that mono gave the artist more control over how the mix was heard - no matter where in the room you were when you listened to the mono mix, you heard the same thing. Not true of the stereo version.
Mono vs. stereo is a really interesting thing to learn more about. Did you know that Brian Wilson never did a stereo mix of "Pet Sounds" when it was released - it was mono only all the way until 1997!