Saturday, May 28, 2011
Born This Way Lady GaGa Album Review
The regular album has 14 tracks and the special edition 17; while some feel it could be pruned down, very few feel out of place or like bonus or filler tracks. The themes revolve around self acceptance, pride, and Catholicism. Most fans seem to have different favourites. The best in my opinion are the two tracks all the way at the end. Yoü And I, The only slow jam is a classic in the making, however I prefer the stripped down live version I’ve heard on TV, the album track is produced by Robert “Mutt” Lange, (Shania Twain’s producer) who turns it slightly more into a country song, guitars are supplied by Brian May of Queen who adds a little We Will Rock You, like I said less is more. The Edge Of Glory ends up on a positive note with one of the best dance song of the year, it features a great sax solo by Clarence Clemmons from Bruce Springsteen’s E Street Band, people have been talking about the similarities of the title track to Express Yourself, but “Edge” sounds so much more like Cher’s Song For The Lonely. Americano is a beautiful little tale about her meeting a young Mexican girl, yes it has the cheesy Spanish guitar influences, and sound like it’s from a Sopranos wedding, but we love it. Her childhood is represented with the beautiful self empowering and danceable anthem Hair, along with the retro disco Bad Kids about her insecurities as a youth. Her faux German song Scheiße comes complete with fake German lyrics but it still hooks you right in with mad beats you only hear at some late night rave party. The album has a definite 80’s vibe; Government Hooker channels the synth/industrial Brit pop, the wonderful retro pop Fashion Of Love which should have been on the regular edition, and Highway Unicorn (Road To Love) whose chorus sounds like powerhouses Pat Benatar or Heart. Electric Chapel sound like something that could have come from Duran Duran’s repertoire think Electric Barbarella.