Saturday, May 28, 2011

Born This Way Lady GaGa Album Review

The album is a in your face stomping dance/electro beat extravaganza from the dancetastic Marry the Night to the closing song. My only complaint is that it’s a little bit overproduced but subtlety has never been GaGa’s strongpoint. Some of the tracks like the mega hit Born This Way sound too noisy, too many overlapping beats, guitar and synths, sometimes less is more. Almost every song has a killer hook that drags you right in, Judas seems unconventional and strange at first but then the chorus kicks in and you’re hooked. Many reviewers are complaining that unlike her style and dress her music is not innovative but I disagree, she is a pop singer trying to write pop songs not experimental music.

The regular album has 14 tracks and the special edition 17; while some feel it could be pruned down, very few feel out of place or like bonus or filler tracks. The themes revolve around self acceptance, pride, and Catholicism. Most fans seem to have different favourites. The best in my opinion are the two tracks all the way at the end. Yoü And I, The only slow jam is a classic in the making, however I prefer the stripped down live version I’ve heard on TV, the album track is produced by Robert “Mutt” Lange, (Shania Twain’s producer) who turns it slightly more into a country song, guitars are supplied by Brian May of Queen who adds a little We Will Rock You, like I said less is more. The Edge Of Glory ends up on a positive note with one of the best dance song of the year, it features a great sax solo by Clarence Clemmons from Bruce Springsteen’s E Street Band, people have been talking about the similarities of the title track to Express Yourself, but “Edge” sounds so much more like Cher’s Song For The Lonely. Americano is a beautiful little tale about her meeting a young Mexican girl, yes it has the cheesy Spanish guitar influences, and sound like it’s from a Sopranos wedding, but we love it. Her childhood is represented with the beautiful self empowering and danceable anthem Hair, along with the retro disco Bad Kids about her insecurities as a youth. Her faux German song Scheiße comes complete with fake German lyrics but it still hooks you right in with mad beats you only hear at some late night rave party. The album has a definite 80’s vibe; Government Hooker channels the synth/industrial Brit pop, the wonderful retro pop Fashion Of Love which should have been on the regular edition, and Highway Unicorn (Road To Love) whose chorus sounds like powerhouses Pat Benatar or Heart. Electric Chapel sound like something that could have come from Duran Duran’s repertoire think Electric Barbarella.

My least favourite tracks are the sluggish and haunting Bloody Mary and the robotic Heavy Metal Lover whose music is blips and bleeps, but even then, they still have a certain charm that pulls you in after a few listens, maybe this is the experimental music that most reviewers have wanted. GaGa has a way of infusing the best of her musical influences to produce some of the best pop music of the day. The song The Queen sums up her title, for how long she stays remains to be seen, but one thing is for sure, it will be an absolutely fabulous freakin’ ride.

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